Living with Nordic Lighting examines lighting design and atmospheres in urban spaces. Through qualitative methods the project explores how urban spaces in Oslo, Copenhagen and Stockholm are felt, used and designed through lighting.
Project aims and background
New LED lighting technologies and political focus on energy efficiency have enabled architects, designers and city planners to orchestrate urban spaces in radical new ways. The dominant premise have been safety and energy savings, but these new technologies are also changing how urban spaces feel - the atmosphere. Atmospheres are a strange sort of object of study: They are different from a table or a building, yet they are still part of defining the feeling of a place. Who have not entered a space and felt the uplifting, romantic, or unsafe atmosphere? Yet, where does it come from? Is the atmosphere inherent in the architecture and infrastructure, or is it just people's mood? It seems to linger in the co-presence of things and people. But that does not make the atmosphere less real, and hence important to understand.
With this project, we explore the relationship between professional lighting design and everyday use of urban space in three Nordic cities. More than simply seeing light as a material phenomenon shed on a passively perceiving body, this project focuses on how the atmosphere is constituted between the designers' intended effects and the everyday practices and meanings of which urban lighting is a part.
Luminosity is a powerful tool in shaping atmospheres of safety, conviviality, contemplation and community belonging. The central difficulty with atmospheres for designers, architects, and researchers is, however, that while atmospheres are felt and intuitive, they are also methodologically difficult to contain and fixate, and different social segments of society may have very different experiences of urban spaces. Taking up this methodological challenge and developing qualitative methods to study light and its role in urban atmospheres in Copenhagen, Oslo, and Stockholm, the project asks: how are atmospheres in urban spaces shaped through an interplay of artificial lighting design and everyday practices?
The project consist of four work packages, focusing on different aspects of lighting and atmospheres
1) In the city: Users experiencing Urban lighting
2) In the home: Urban lighting entering the home
3) In public architecture: Architectural lighting
4) In the design office: Designing urban lighting